March/April 2014

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Cover: Wes Anderson's The Grand Budapest Hotel
by Geoffrey O'Brien

Features: Lars von Trier’s Nymphomaniac
By Jonathan Romney
Albert Serra 
by Manuel Yáñez-Murillo
The Sensory Ethnography Lab by Irina Leimbacher
Auteur Theory 2014 by Kent Jones
Captain Phillips & A Hijacking by Chris Norris

39th Annual Grosses Gloss by Donald Wilson
Plus: China and Hollywood by Michael Berry

Hot Property: Aleksei German's Hard to Be a God

Alex Cox’s 10,000 Ways to Die: Jean-Pierre Melville's Le Deuxième Souffle

Site Specifics: The Seventh Art

Trivial Top 20®: Best Night Movies

Restoration Row

2013 Readers' Poll

Olaf's World: Yves Boisset

Encore: 
Raúl Ruiz’s Life Is a Dream and The Blind Owl by Jonathan Robbins

Sound & Vision: 
Michael Snow by Amy Taubin and Matthew Barney by Margaret Barton-Fumo

Festivals: Sundance by Amy Taubin and Laura Kern and Rotterdam by Gavin Smith

Screenings: 
The Unknown Known by Jennifer Dworkin, Interior. Leather Bar. by Nathan Lee, Journey to the West by Grady Hendrix, Enemy by José Teodoro, Only Lovers Left Alive by Amy Taubin

Short Takes:Blue Ruin by Laura Kern, Cheap Thrills by Violet Lucca, It Felt Like Love by Violet Lucca,The Missing Picture by Nicolas Rapold, Under the Skin by Nicolas Rapold, Le Week-End by Eric Hynes

Home Movies:The Counselor by Amy Taubin, The Postman Always Rings Twice by Frank Ombres, The Fantastic Mr. Fox by David Filipi, Nostalghia by Chuck Stephens, The Year of the Cannibals (I cannibali) by Michael Chaiken, A Brief History of Time by Morgan Wilcock, Many Wars Ago (Uomini contro) by Jared Eisenstat, The Stuart Hall Project by Patrick Friel, Foreign Correspondent by Max Nelson, Deseret & Four Corners by David Gregory Lawson

Readings: Joe Dante edited by Nil Baskar and Gabe Klinger, reviewed by Leah Churner; Edgar G. Ulmer: A Filmmaker at the Margins by Noah Isenberg, reviewed by Michael Joshua Rowin; The Sky Between the Leaves: Film reviews, essays & interviews 1992-2012 by David Walsh, reviewed by Michael Pattison; Videoland: Movie Culture at the American Video Store by Daniel Herbert, reviewed by Benjamín Schultz-Figueroa

Graphic Detail: 
Anselmo Ballester

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