July/August 2017


Cover: Robert Pattinson in Good Time

Features: Josh and Benny Safdie’s Good Time by Eric Hynes
Interview with Robert Pattinson by Nicolas Rapold
Bong Joon Ho’s Okja by Amy Taubin
Annotated guide to Chris Marker’s studio by Michael Joshua Rowin
David Lowery’s A Ghost Story by Imogen Sara Smith
Yvonne Rainer by Violet Lucca
Superhero films by Nick Pinkerton
Nathalie Léger’s Suite for Barbara Loden by David Thomson

Festival Special: Cannes at 70, with reports from Amy Taubin, Kent Jones, Dennis Lim, and Nicolas Rapold

Inspired: Robin Campillo on 120 Beats Per Minute

Release Me: Kantemir Balagov’s Closeness by Nicolas Rapold

Directions: Claire Denis by Nicolas Rapold

Restoration Row: Philippe de Broca’s King of Hearts by Max Nelson

Critics’ Choice

Make It Real: A River Below, Risk, and truth by Eric Hynes

Art and Craft: Location manager Ken Lavet

Finest Hour: Martin Balsam in Summer Wishes, Winter Dreams by Steven Mears

Inside Stories: Kentucky Route Zero by Jeff Reichert

In Memoriam: Jonathan Demme by Robert Horton

The Big Screen: Beach Rats by Michael Koresky, Person to Person by Margaret Barton-Fumo, L’Important cest daimer by Ela Bittencourt, Marjorie Prime by Ella Taylor

Short Takes: Endless Poetry by Violet Lucca, The Beguiled by Farran Smith Nehme, Strange Weather by Chloe Lizotte, War for the Planet of the Apes by Michael Sragow, Lady Macbeth by Nicolas Rapold

Home Movies: Indian independents on Netflix by Devika Girish, Early Women Filmmakers: An International Anthology by Daniel Eagan, Fahrenheit 451 by Geoffrey O’Brien, Lake Bodom by Laura Kern, Law of the Border by Steven Mears, Lost in America by Dan Sullivan, The Quiet American by Michael Sragow, Zaza by Farran Smith Nehme

Readings: Sélection officielle by Thierry Frémaux, reviewed by Jonathan Romney; Two Cheers for Hollywood: Joseph McBride on Movies by Joseph McBride, reviewed by Jonathan Rosenbaum; Intimations: The Cinema of Wojciech Has by Annette Insdorf, reviewed by Violet Lucca

Graphic Detail: Andrzej Klimowski by Adrian Curry

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