January/February 2015

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Cover: Jemaine Clement and Taika Waititi's What We Do in the Shadows by Jonathan Romney

Features: Selma by Amy Taubin
Hard to Be a God by Anton Dolin
Force Majeure by Michelle Orange
Writing film history in the 21st century by Scott Eyman
Art-house exhibition by Jeff Berg, plus state-by-state directory of art-house theaters

Hot Property: Duane Hopkins's Bypass by Nicolas Rapold

Alex Cox’s 10,000 Ways to Die: John Guillermin's El Condor

Site Specifics: timebombtown.tumblr.com by Violet Lucca

Trivial Top 20: Best Uncredited Roles

Restoration Row by Max Nelson

Fade Out: Michael Glawogger by Stefan Grissemann

Encore: Henry King’s Margie by Farran Smith Nehme

Sound: “Exposed: Songs for Unseen Warhol Films” by Margaret Barton-Fumo

Vision: Nuri Bilge Ceylan’s “The World of My Father” by Max Nelson

A Face in the Crowd: Jill Banner by Chuck Stephens

Reviews: Still Alice by Molly Haskell, Mommy by Joumane Chahine, Tip Top by Nicholas Elliott, The Duke of Burgundy by Steven Mears, Into the Woods by Michael Koresky, Timbuktu by Elisabeth Lequeret, American Sniper by Chris Norris

Short Takes: A Most Violent Year by Eric Hynes, Predestination by Violet Lucca, '71 by Violet Lucca, Unbroken by Steven Mears, When Evening Falls on Bucharest or Metabolism by Nicolas Rapold, Wild Tales by Nicolas Rapold

Home Movies: The Robert Drew Collection by Nicolas Rapold, The Promised Land by Patrick Friel, Hickey & Boggs by Chuck Stephens, Starry Eyes by Sarah Mankoff, Watership Down by David Filipi, The Changes by Gavin Smith, Middle of Nowhere by Amy Taubin, The Guest by David Fear, 4 Adventures of Reinette and Mirabelle by Steven Mears, Lines of Wellington by Aaron Cutler

Readings: The Essential Raymond Durgnat edited by Henry K. Miller, reviewed by Paul Fileri; Altman by Kathryn Reed Altman and Giulia D'Agnolo Vallan, reviewed by Nicolas Rapold; Criterion Designs by Eric Skillman, reviewed by Eric Hynes; Be Sand, Not Oil: The Life and Work of Amos Vogel edited by Paul Cronin, reviewed by Jared Rapfogel

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